Witch-house is a genre of electronic music that emerged from internet underground scenes around 2008–2010. It sits at the convergence of darkwave, industrial noise, chopped-and-screwed hip-hop, and black metal atmosphere — deliberately lo-fi, deliberately difficult, and deliberately obscure. The aesthetic is defined as much by visual and conceptual language as by sound: occult symbolism, degraded imagery, cryptic glyphs in artist names, and a rejection of mainstream legibility.

The genre coalesced across MySpace and Tumblr communities in the late 2000s. Artists such as Salem, oOoOO, Ritualz, White Ring, and Mater Suspiria Vision established its core vocabulary: pitch-shifted vocals buried in reverb, heavily swung 808 percussion slowed to a crawl, dense noise walls, and an anti-pop sensibility inherited from industrial and goth traditions. The genre has no single geographic origin — it formed simultaneously across the US, Europe, and online spaces where aesthetic communities converged.

• Tempo: 60–100 BPM; often chopped, pitched down, or dragged
• Drums: 808 sub-bass kicks, claps with heavy swing, minimal percussion
• Vocals: pitch-shifted, heavily processed, submerged in reverb and delay
• Texture: noise layers, feedback, degraded tape artifacts, sustained dark pads
• Influences: black metal, shoegaze, industrial, Southern hip-hop, gothic synth
• Production aesthetic: lo-fi over polished, atmosphere over structure

MAN1K is a Ukrainian producer and DJ working within and adjacent to the witch-house tradition. The project draws from the genre's core aesthetic — dark atmospheres, processed textures, oblique songwriting — while incorporating the sonic and cultural weight of post-Soviet Eastern Europe. The result sits between club utility and experimental electronics: music that functions in a dark room at 2am but carries its own internal logic outside of that context.